NAMM 2025 HIGHLIGHTS

A convenient overview of the new music production and audio engineering gear and software announced at (or around) NAMM 2025.

NAMM 2025 – CATEGORIES

 You may click on a category name on the right to scroll directly to the related list!

Please note that this is a non-exhaustive list and although meant to be quite complete, won’t cover much recording gear or acoustic instruments.
I’ll keep updating it throughout the upcoming days as NAMM is on-going.

That being said, don’t hesitate to write on discord if you have any suggestions of things to add to the list, I’ll gladly do so!

 

 

 

 

 

 

Synths, Keyboards & Modules

 

Drum Machines, Samplers and Recorders

  • SOMA – MESSEIVER 💖
    Irrational device for exploring the world of primal, wild radio reception
  • Toraiz – Chordcat
    Chord Generator Groove Box
  • DeftAudio – Luma-1
    Authentic recreation of the iconic LM-1
  • Akai – MPC3 x NI
    NI integration in new products
  • Polyend – Step
    Drum machine for your feet

 

SOMA-messeiver

Effects

  • Bastl – Thyme+💖
    Step into the world of digital tape. Jam with Robots by your side!
  • Bastl – Kastle 2 FX Wizard
    Compact patchable stereo multi-effects hero
  • Stylophone – CPM DF-8
  • Neve – 88C
    Console-grade compression for small spaces
  • Antelope Audio – A4-1B
    Digitally controlled tube compressor
  • elysia –  xmax
    Discrete class-A stereo masterbus processor
  • WesAudio – ngTubeComp
    Flexible vari-mu compressor with plugin control
  • Marshall Signature Pedals – JCM 800, DSL
  • SOMA – Harvezi Hazze
    Distortion pedal
  • Fart Pedal – Number Two

 

 

SOMA-messeiver

Controllers & Sequencers

  • Melbourne Instruments – Roto-Control
    Motorized MIDI Controller for software & hardware

 

 

 

SOMA-messeiver

Audio Interface, Mixers, Mics & Studio Accessories

  • SSL – SSL 18 💖
    26-in/28-out high performance USB audio interface
  • SSL – Alpha 8
    Ultimate audio interface expander
  • Arturia – AudioFuse 16Rig
    Updated with immersive monitor control and more.
  • Lynx – Mesa
    High-end desktop audio interface
  • Audient – iD48
    24-in/32-out audio interface 
  • API – ASM164
    16-Channel Analog Summing Mixer
  • Austrian Audio – OC-S10
    Reference recording mic
  • Apogee – HypeMiC Podcast Kit
    Bundle of their hypemic

 

SSL18

Monitors & Headphones

  • Barefoot – Footprint03c
    Center channel active monitor to accompany the footprint03
  • Roland – VMH-S100

 

Djing

 

SSL18

Plugins

  • FabFilter – Pro-Q 4 💖
    Multi-instance, sculpt, sketch and more…
  • Softube – Dimensions
    Reverb
  • SPL – Machine Head
    Tape machine
  • Flux: – MiRA
    All-in-one analyzer suite
  • Realitone – Sunset Choir
    Choir library with complex articulations

 

 

 

 

FabFilter Pro-Q 4

STAN

     

     

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    Why louder is not better?

    Pourquoi plus fort n'est pas synonyme de meilleur ?

    Plus fort ne signifie pas toujours synonyme de meilleur en production musicale. En fait, essayer de rendre un signal plus fort peut souvent aboutir à une qualité sonore moindre. Voici les principales raisons :